MINNESOTA, WI by BON IVER
FEATURED ALBUM Bon Iver
In an almost unexpected way, Bon Iver‘s latest, self-titled album took the nation by storm. Pitchfork rated it a 9.5 out of 10 and credited it as Best New Album. The album featured a different sonority than was utilized in their 2007 debut album For Emma, Forever Ago, or even (my favorite) Blood Bank. This “new” sound for Bon Iver exposes a brighter, more hopeful demeanor.
A friend of mine, who had never heard of Bon Iver, Justin Vernon, or the unique vocal style that he produces, fell head-over-heels for this new record. This friend helped me to re-recognize and reestablish my favorite qualities in this band. The main two of which include (1) the unavoidable, hunting yet heart-warming wash of sound that is heard in each song, and (2) the awesome way in which Vernon turns a phrase. It is fairly evident that he really enjoys using cryptic language in his songs, as can be seen in his lyrics and song titles. Bon Iver particularly possess and highlights this cryptic nature through Vernon’s use of clever geography in the song titles. Vernon and I have that in common. I enjoy a good pun, turn of phrase, or riddle any day and that makes this album right up my alley. The album also has an awesome soaring energy that comes from the strong melodies and inspiring poetry–”Never gonna break, never gonna break.” Enjoy this energizing and captivating song from Bon Iver’s new album.
Also, in conjunction with their new album, Bon Iver produced an online video album to accompany the release of the CD. The video album is available for streaming in its entirety, for NO COST. This just goes to show how warm-hearted this band is. They produce art that is readily available to their fans, regardless of instant financial gain. Of coarse, this method of sharing music with fans does have the potential to motivate fans to invest in Bon Iver’s music, but that is neither here nor there. The video album may be viewed on Bon Iver’s YouTube Channel HERE.
FEBRUARY MMX by ULVER
FEATURED ALBUM Wars of the Roses
This album is a testament that the evolving powerhouse known as Ulver shows no signs of stopping. I bought this album in May of 2011, and it was my favorite listening all summer. War of the Roses is an emotional uplift from their last album Shadows of the Sun, which was written/recorded/produced during a norwegian winter. That time of year, when you are that far north, can have bizarre and beautiful effects on a musician and their output. Check it out for yourself. I grabbed the video for this week off of the Wars of the Roses mini-site. It is a promo clip.
CLICK HERE TO LEARN MORE ABOUT SONG OF THE WEEK
“All I Need” by Radiohead
“You Are All I Need”
[ANALYSIS/SYNOPSIS COMING SOON]
CLICK HERE to learn more about Song of the Week
“IBM 729 II Magnetic Tape Unit” by Jóhann Jóhannsson
Computer Soundscapes Inspired by a Timeless Machine
Usually, I like to share my own ideas about the music I share with others. However, for my first Song of the Week, I would like to quote from the artist’s website. The best, or rather the most valuable opinions about music come straight from the source, the musician. While it is important to form our own ideas about the music that touches our lives, the sentiments that matter most are those of the creator. Jóhann Jóhannsson is one of my favorite contemporary composers, and he reign’s from the beautiful and pure country called Iceland. I received the following from Jóhannsson’s official IBM 1401 website. These are not my words:
“Jóhann’s stately and hauntingly melodic music has been quietly bewitching listeners for some time and his new album, IBM 1401, A User’s Manual – his most ambitiously-orchestrated composition to date – is sure to expand his audience still further.
Inspired by a recording of an IBM mainframe computer which Jóhann’s father, Jóhann Gunnarsson, made on a reel-to-reel tape machine more than 30 years ago, the piece was originally written to be performed by a string quartet as the accompaniment to a dance piece by the choreographer Erna Ómarsdóttir. For the album version, Jóhann rewrote the entire score, and it was recorded by a sixty-piece string orchestra. He also added a new final section and incorporated electronics alongside those original tape recordings of the singing computer.”
–Quoted from www.ausersmanual.org
Audio in a motion picture is much more complex than just “yea or nay.”
Here is an example of what I mean.